Raising Your Conciousness with Harmonic Music and the Solfeggio Tones
The following is what I have learned from researching conciousness raising using harmonic sound. Harmonic music was used from the time of Christ and more recently by the Gregorian monks to praise God. I have added additional links that you can visit to learn more about its history as well as links to the music of "Liquid Mind" that will aid you in meditation and raising your frequency and vibration levels. Please enjoy this information and pass it on to others.
The Ancient Solfeggio Ascension Frequencies are frequencies that can start your ascension process.
Basically, there are six Holy frequencies in Detail (Ravi Solfeggio Version):
0:00 to 1:30 Helps Liberate Guilt and Fear associated with releasing emotional patterns.
1:31 to 3:00 Helps Undoing Situations and Facilitates Change associated with breaking up crystallized emotional patterns.
3:01 to 4:30 Helps Repair DNA / connecting all the strands associated with Transformation and Miracles.
4:31 to 6:00 Helps Connecting / Relationships associated with whole brain quadrant interconnectedness. Connecting Relationships.
6:01 to 7:30 Helps Awakening Intuition associated with intuitive states, non linear knowing.
7:31 to end Helps Return to the Spiritual Order associated with a pure love frequency: unconditional love and returning to Spiritual Order.
For Sedona 11:11 Frequencies:
Track 1 Helps Liberate Guilt and Fear associated with releasing emotional patterns.
Track 2 Helps Undoing Situations and Facilitates Change associated with breaking up crystallized emotional patterns.
Track 3 Helps Repair DNA / connecting all the strands associated with Transformation and Miracles.
Track 4 Helps Connecting / Relationships associated with whole brain quadrant interconnectedness. Connecting Relationships.
Track 5 Helps Awakening Intuition associated with intuitive states, non linear knowing.
Track 6 Helps Return to the Spiritual Order associated with a pure love frequency: unconditional love and returning to Spiritual Order.
These frequencies are available in various forms called The Holy Solfeggio Frequencies over the internet but dont seem to work effectively. So, this audio has been created to help people easily reach the higher densities. He has tried these and he knows for sure that they work. The best commercial CD available for this is called HOLY HARMONY by Jonathan Goldman with Sarah Benson, but should be used after you finish with the beginning of ascension from the Solfeggio Frequencies created as HOLY HARMONY could overwhelm you.
History Of The Solfeggio Frequencies
(Written By David Hulse -SomaEnergetics.com)
These original sound frequencies were apparently used in Ancient Gregorian Chants, such as the great hymn to St. John the Baptist, along with others that church authorities say were lost centuries ago. The chants and their special tones were believed to impart tremendous spiritual blessings when sung in harmony during religious masses. These powerful frequencies were rediscovered by Dr. Joseph Puleo as described in the book Healing Codes for the Biological Apocalypse by Dr. Leonard Horowitz. I give honor to both of these gentlemen for the part theyve played in helping return these lost frequencies back to humanity.
The Six Solfeggio Frequencies include:
UT 396 Hz Liberating Guilt and Fear
RE 417 Hz Undoing Situations and Facilitating Change
MI 528 Hz Transformation and Miracles (DNA Repair)
FA 639 Hz Connecting/Relationships
SOL 741 Hz Awakening Intuition
LA 852 Hz Returning to Spiritual Order
For example, the third note, frequency 528, relates to the note MI on the scale and derives from the phrase MI-ra gestorum in Latin meaning miracle. Stunningly, this is the exact frequency used by genetic biochemists to repair broken DNA the genetic blueprint upon which life is based!
A Little History
At the turn of the century the awareness of DNA entered the collective consciousness of the world. We have incarnated into this human experience as divine beings with a blueprint, a set of instructions. We know that a very small percentage (3%) of those instructions make up our physiology.
Carl Sagan writes that most of our genetic information (about 97%) is unused DNA. He refers to this as genetic gibberish. Is it possible that most of who we are still lies dormant as our human potential?
In the old paradigm of religion, potential remained a mystery to the human mind, therefore we coined a mystical term called SPIRIT. Spirit was something that was detached from who we were, something we didnt have and could only be gained through the systems of most religions.
The old paradigm and its premise stated that we began as biology in the womb of our mothers. Telliard deChardin tells us that we are not a human being trying to attain a spiritual experience, but, rather, we are spiritual beings having a human experience. This shift in perception causes a tremendous difference in the way we perceive ourselves in this third/fourth time-space continuum.
Being a student of A Course In Miracles in the late 80s, I was faced with a dichotomy in the idea that we are not a body. I never understood this statement fully until I read a quotation by Albert Einstein which stated: Concerning matter, we have been all wrong. What we have called matter is energy, whose vibration has been so lowered as to be perceptible to the senses. There is no matter. I believe what is being stated is that at the deepest level we are not separate, as a body, as a spirit, as a soul we are just energy-beings. This is the level of consciousness being opened to us from which a new paradigm is emerging for the purpose of healing all separation. The popular term, The Divine, is in me- makes me separate from the Divine. May I suggest a shift in the saying to: The Divine, AS me to remove the separation.
As we move from genetics and concepts like Soul, Soul Mates and Soul work, we move beyond physical diagnosis, into a new field of quantum physics. In this new field, where consciousness is seen as a unified field where everything is everything else, (T.O.E. Theory The Theory of Everything) there are no boundaries. There is no this or that; no you or me. It is a pure field of awareness consciousness. I solved the dichotomy about we are not our body by changing my perception of genetics to energetics realizing that we are not meant to ignore our physiology, but recognize the body as energy, vibrating at a very dense frequency.
How Did The Solfeggio Frequencies Get Lost?
I discovered that these powerful frequencies had been given to the church many years ago for a very spiritual purpose. This was back when the church was a wonderful place for the people in the villages to gather together. The church served as a social, political, and spiritual place. People came to Mass, which at that time, was done in Latin (until Vatican II came along). When people sing in Latin or musical tones, it is very powerful, because it gets through all of the limited thought forms, and into deeper levels of the subconscious accessing insights beyond belief systems.
As described above by Dr. Candice Pert, PhD, energy and vibration go all the way to the molecular level. She states that we have 70 different receptors on the molecules and when vibration and frequency reaches that far they begin to vibrate. Moreover, she observed, as they begin to vibrate they sort of touch each other, and tickle each other, and they play and mount each other. Its this whole energetic dance ritual, at the cellular level, that opens the chromosomes and exposes the DNA to the frequencies. When we do toning, drumming, chanting, or tuning forks it can be a way to direct energy for transformational purposes.
Vibration and sound can be used, like most things, either with positive intention or negative intention. Used negatively, its nothing more than control and manipulation. Most of the world has been built upon control and manipulation by the way we communicate thru language. A lot of different texts, such as the Bible, talk about the importance of just making Soundwhether its chants, drumming, or speaking in tongues (such as the charismatic fundamentalists do), they are just different ways that people are accessing deeper levels of themselves. I suggest to you that the Solfeggio Tuning Forks are an even purer ways of doing that with positive intention.
When Dr. Joseph Puleo was researching the tones, he was directed to a Monsignor at a university in Spokane WA, who was head of the mediaeval department. Following a 20 minute conversation, the
Can you decipher Mediaeval Latin?
And you know the musical scale and everything?
Well then, could you tell me what UT queant laxis means?
After a brief pause, the Monsignor quipped, Its none of your business
Then he hung up.
Additionally, as Dr. Puleo researched the tones further, he came across a book on Gregorian chants by Professor Emeritus Willi Apel who argued that the chants being used today were totally incorrect, and undermined the spirit of the Catholic faith.1 Moreover, Professor Apel reported that one-hundred fifty-two chants were apparently missing. The Catholic Church presumably lost these original chants. The chants were based on the ancient original scale of six musical notes called the Solfeggio.1 Trust me, nothing is lost, its just neatly put away; however, they cannot hide from the masses what is energetically placed within the Soul.
According to Professor Willi Apel,1 The origin of what is now called Solfeggioarose from a Mediaeval hymn to John the Baptist which has this peculiarity that the first six lines of the music commenced respectively on the first six successive notes of the scale, and thus the first syllable of each line was sung to a note one degree higher that the first syllable of the line that preceded it. By degrees these syllables became associated and identified with their respective notes and as each syllable ended in a vowel, they were found to be peculiarly adapted for vocal use. Hence Ut was artificially replaced by Do. Guido of Arezzo was the first to adopt them in the 11th century, and Le Marie, a French musician of the 17th century added Si for the seventh note of the scale, in order to complete the series.
Further research states that, Pope Johannes later became a saint Saint Iohannes and then the scale was changed. The seventh note Si was added from his name. Si later became Ti. These changes significantly altered the frequencies sung by the masses. The alterations also weakened the spiritual impact of the Churchs hymns. Because the music held mathematic resonance, frequencies capable of spiritually inspiring mankind to be more Godlike, the changes affected alterations in conceptual thought as well, further distancing humanity from God. In other words, whenever you sing a Psalm, it is music to the ears. But it was originally intended to be music for the soul as well or the secret ear. Thus by changing the notes, high matrices of thought and to a great extent well being, was squelched. Now it is time to recover these missing notes.
Id heard of do, re, me, fa, so, la, ti, do. I particularly responded to it whenever I hear that song by Julie Andrews from The Sound of Music. I literally have a brain cell firing as it is engraved into my brain, and I see her coming over the mountain in the movie. I didnt realize this was actually a second, modified scale. The original Solfeggio scale was actually: UT, RE, MI, FA, SO, LA.
Looking at the definitions of each of the original syllables, using hidden entries from Websters Dictionary and the Original Greek Apocrypha, I have determined that these original frequencies can be used for: Turning grief to joy, helping the person connect with their Source to bring forth miracles, DNA repair, connecting with spiritual family, solving situations & becoming more intuitive, and, finally, returning to spiritual order.2 Through music these tones can assist all the channels in staying open and keep the life force (the Chi) literally flowing thru the Chakra System quite freely. Is this is what the six electro-magnetic frequencies were to accomplish that were put into lost hymns and Gregorian chants?
I think we are living in a tremendously wonderful time, and rather than seeing the glass as half empty, I see it as half full. Rather than accepting CNNs perspective of the world view, its about finding perspective thru the vision of your own heart. It is about change and transformation of mankind to the next level of evolution. We, as Spiritual Light Workers, have made ourselves accessible at this time, by Divine Appointment, to be here to help those in humanity who choose (its all based upon irrevocable choice) to stay, or to go. Those who have chosen to stay will come into our lives, and we have already agreed to assist them.
Its all about assisting other people. Its not to be their Healer, but to assist them in knowing who they are and connecting with their true Source. It is about providing an atmosphere of non-judgment, a Sacred Space, for the purpose of healing themselves. We should be continuously teaching while assisting people. The old paradigm teaches us to keep the information among the professionals. The new paradigm is to share the information, and empower the client. Everyone you work withwhether its Reiki, Massage, Tuning Forks or other modalities you are using, you should feel that youve empowered that person, so they can extend this information to someone else. Healing has become about our evolution by reconnecting our additional strands of DNA. Healing is also about assisting the person in restoring themselves to a state of Spiritual Wholeness.
1 Healing Codes for the Biological Apocalypse by Dr. Leonard Horowitz, p. 345-6
3 From Mans Cosmic Game by Guiliana Conforto
The 3, 6, and 9
As we look at the six original Solfeggio frequencies, using the Pythagorean method, we find the base or root vibrational numbers are 3,6, & 9. Nicola Tesla tells us, and I quote: If you only knew the magnificence of the 3, 6 and 9, then you would have a key to the universe.
John Keely, an expert in electromagnetic technologies, wrote that the vibrations of thirds, sixths, and ninths, were extraordinarily powerful. In fact, he proved the vibratory antagonistic thirds was thousands of times more forceful in separating hydrogen from oxygen in water than heat. In his Formula of Aqueous Disintegration he wrote that, molecular dissociation or disintegration of both simple and compound elements, whether gaseous or solid, a stream of vibratory antagonistic thirds, sixths, or ninths, on their chord mass will compel progressive subdivisions. In the disintegration of water the instrument is set on thirds, sixths, and ninths, to get the best effects.
In the book of Genesis it states that there are six days of creation. Yet many talk about the creation week or seven days, and the Christian Bible views the number seven as the number of completeness. Why Seven? It is due to the influence of the Near Eastern culture at the time in which Jesus lived, when it was believed that there were only seven planets.
When wrestling with adding a 7th number, I was mystically drawn to an article in Discover Magazine. In his newest book, Just Six Numbers, Rees argues that six numbers underlie the fundamental physical properties of the universe, and that each is the precise value needed to permit life to flourish. In laying out this premise, he joins a long, intellectually daring line of cosmologists and astrophysicists (not to mention philosophers, theologians, and logicians) stretching all the way back to Galileo, who presume to ask: Why are we here? As Rees puts it, These six numbers constitute a recipe for the universe. He adds that if any one of the numbers were different even to the tiniest degree, there would be no stars, no complex elements, and no life. (From Discovery Magazine). As some authors have speculated, could these tones have played a role in the miraculous shattering of Jerichos great wall in six days before falling on the seventh day? Some scientists are now stating that if we have been created, we most likely would have been sung into existence. Is it possible that the six days of creation mentioned in Genesis represent six fundamental frequencies that underlie the universe? Religious scholars believe both events occurred as a result of sounds being spoken or played.
Other scientists, including the geniuses Nikola Tesla, Raymond Rife, as well as Mozart, Haydn, Beethoven, and Chladni, all must have known about, and used the concept of, the inherent power of threes, sixes, and nines. So we are dealing with three powerful numbers: 3-6-9. Every one of the six Solfeggio Tuning Forks all add up, individually to the Pythagorean scheme of 3-6-9. In fact, because there are two sets of 3-6-9 (anagrams) in the Solfeggio, they are even more powerful as these combinations serve as portals to other dimensions!
Just Intonation 12 Tone Equal Temperament
As I observed earlier, another reason these Ancient Solfeggio frequencies became lost was because of the change in tuning practices throughout history. The standard tuning method for the past 200 years is quite different from the tuning practices dating from antiquity through about the 16th century A.D. These ancient tuning practices used a system of tuning known asJust Intonation. The tuning practice adopted for western cultures during the 16th, 17th, and 18th centuries, and used today, is known as Twelve-Tone Equal Temperament. The explanation of the fundamentals of these tuning systems is far too complex for this agenda, but the following quote from a book written by David B. Doty, titled The Just Intonation Primer, should give an idea of the confinement that music has been relegated to. Essentially, music has been placed in a box of limitations as the result of the rigidity imposed by the Twelve-Tone Equal Temperament tuning standards in use today.
Although it is difficult to describe the special qualities of Just (Intonation) intervals to those who have never heard them, words such as clarity, purity, smoothness, and stability come readily to mind. The supposedly consonant intervals and chords of (12-Tone) Equal Temperament, which deviate from simple rations to varying degrees, sound rough, restless, or muddy in comparison.
Just Intonation can be found in many of the great Fathers of Classical Music Beethoven and Hyden, just to name a few. They did not use this 12-tone temperament and I think that is why we have a richer experience when we hear music that was composed several hundred years ago. Classical Music based on Just Intonation gives us a different rapport with time and space and brings us into our higher chakras.
Native American chanting is many times based on Just Intonation. The chanting seems to sound monotone, but we are finding out that within the monotone sound is multi-dimensional harmonics.
How these different types of tones affect our health
Consequently, since all music in our contemporary world (from commercials, to modern hymns and symphonies) has been composed utilizing the 12-Tone Equal Temperament Scale, they all have vibrational limits. As a result, vibrational frequency of the tones of modern music can create situations such as boxed-in thinking, stuffed and suppressed emotions; and fear-based lack consciousnessall of which then tend to manifest into physical symptoms of dis-ease.
This is in contrast to music created from the Ancient Solfeggio Scale, which stimulates the vibration of expanded creativity, easier problem solving and holistic health.
Again, it should be noted that although there are contemporary notes that approximate the Solfeggio tones, they are not the same frequencies as the ancient tones. Example: The Solfeggio tone, Mi. vibrates to 528 Hz. The closest, comparable, contemporary tone is C, above Middle C, which vibrates at 512 Hz. Our research indicates that the vibrational frequencies contained in the Solfeggio tones hold these original healing potentials.
If you have any further questions regarding the Solfeggio Frequencies, feel free tocontact us.
Here are other links to sites that can give you additional information on harmonic sound, chants, meditation,and music.
Throw some love into the wind